Pablo Colapinto

Imaginary Informations can be conceived then as comprising both expected and unexpected realities and unrealities. Imaginary Informations can easily be created and manipulated with words, cameras, computers, hapticinterfaces, and the internet, and are ultimately the components of a flexibletheoretical communication system that adapts to environmental pressures by modifying them in an open-loop. The concept can be applied to multimedia technologies, artistic practice, and political posturing. In a general sense, they represent the composition of a reformed reality: from the pseudo-anonymity of online social networks to audience interactivity and conspiratorial delusion. This consistent reformation of reality is nothing new, and has always resulted in an artistic fascination with deceit, secrets, and lies.

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