Louise Penny

LPennyAudrey Villeneuve knew what she imagined could not possibly be happening. She was a grown woman and could tell the difference between real and imagined. But each morning as she drove through the Ville-Marie Tunnel from her home in east-end Montréal to her office, she could see it. Hear it. Feel it happening.
The first sign would be a blast of red as drivers hit their brakes. The truck ahead would veer, skidding, slamming sideways. An unholy shriek would bounce off the hard walls and race toward her, all-consuming. Horns, alarms, brakes, people screaming.
And then Audrey would see huge blocks of concrete peeling from the ceiling, dragging with them a tangle of metal veins and sinews. The tunnel spilling its guts. That held the structure up. That held the city of Montréal up.
Until today.
And then, and then … the oval of daylight, the end of the tunnel, would close. Like an eye.
And then, darkness.
And the long, long wait. To be crushed.

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