Janis Joplin
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Bob Acri
>Jan Lisiecki
>
>大倉正之助, HIDEBOH
>
>Michel Teló
>Nossa, nossa
Assim você me mata
Ai, se eu te pego,
Ai, ai, se eu te pego
Delícia, delícia
Assim você me mata
Ai, se eu te pego
Ai, ai, se eu te pego
Rolling Stone
We assembled a panel of top guitarists and other experts to rank their favorites and explain what separates the legends from everyone else.
100 Greatest Guitarists of All Time
| 2. Eric Clapton 3. Jimmy Page 5. Jeff Beck 6. B.B. King |
20. Carlos Santana 26. Brian May 31. Ry Cooder 44. Mark Knopfler |
50. Ritchie Blackmore 63. Johnny Winter 66. Leslie West 71. Robert Johnson |
| ??. Steve Vai ??. Larry Coryell |
??. Warren Hanyes ??. Larry Carlton |
??. Alex Lifeson ??. Eric Johnston |
>Geoff Dyer
>
He* played each note as though astonished by the previous one, as though every touch of his fingers on the keyboard was correcting an error and this touch in turn became an error to be corrected and so the tune never quite ended up the way it was meant to.
*: Thelonious Monk
>Mark Knopfler
>
And what have you got at the end of the day?
What have you got to take away?
A bottle of whisky and a new set of lies
Blinds on the window and a pain behind the eyes
>Cecile Corbel
>
>Eric Clapton
>I never set myself too high a goal. It was always tone and feeling, for me.
>Gerd Klaassen
>
As already said you can step through the whole song with this using the standard Blues scheme:
E7 A7 B7
I---------------3---3------5---5--------0-0-0---0-0-------0-----I
I----3---3------2---2------4---4-------/3-3-3---3-3---0-3-------I
I----1---1------2---2------4---4-------/1-1-1---1-1---0-1-------I
I----2---2---------------4---4----------------0-----0-----------I
I-------------0---0---------------------------------------------I
I--0---0------------------------------(to change from E4 to A7)-I
The end is also simple, just play the chords E6 – E – E6 – E7. That’s it.
>John Fusco
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>Ben Harper
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>Irma
>
>Zaz
>
Donnez moi une suite au Ritz, je n’en veux pas !
Des bijoux de chez Chanel, je n’en veux pas !
Donnez moi une limousine, j’en ferais quoi ? papalapapapala
Offrez moi du personnel, j’en ferais quoi ?
Un manoir a Neufchatel, ce n’est pas pour moi.
Offrez moi la Tour Eiffel, j’en ferais quoi ? papalapapapala
Je Veux d’l’amour, d’la joie, de la bonne humeur, ce n’est pas votre argent qui f’ra mon bonheur, moi j’veux crever la main sur le coeur papalapapapala allons ensemble, découvrir ma liberté, oubliez donc tous vos clichés, bienvenue dans ma réalité.
J’en ai marre de vos bonnes manières, c’est trop pour moi !
Moi je mange avec les mains et j’suis comme ça !
J’parle fort et je suis franche, excusez moi !
Finie l’hypocrisie moi j’me casse de là !
J’en ai marre des langues de bois !
Regardez moi, toute manière j’vous en veux pas et j’suis comme çaaaaaaa
>John Popper
>
>夏川 りみ
>
>Frank La Loggia
>Una rondine non fa primavera.
柿木央久
メロディとハーモニーとビート。
音楽を構成するこの三つの要素がバランスよく融合されることはおよそ難しいことであります。
本作では その難しいことが難なく実現されているばかりか、
音楽の魂である、音の悦びが満ちあふれているのであります。
お聴きください。
これがブラジル音楽の神髄であります。
>Ike Quebec
>
Tal Wilkenfeld
>ZARD
>
>Sun Studio
>
>廻由美子
>
音を出す、または書く、それはマッチをする行動にも似て、
現れた火は人々に太古からのエネルギーをあたえ、心を熱くする。
人類最高の発見である火は、美しく、そして恐ろしい。
７０席のサロンに音の炎がどのように燃え上がるのか、
待ち遠しく、そして果てしなくスリリングだ。
—
ライヴ演奏、それは演奏家と聴き手とのエネルギーの交信。
サロンテッセラの７０席という小宇宙、そこでは
音楽の波動はより近くなり、交信はより活発になる。
演奏家の、そして聴衆の「新しい耳」が音楽を輝かせていく。
>Larrry Coryell
>
>Tom Waits
>
>Erik Jacobs
>
Operas and concerts are being projected live in movie theaters; music has been written for cellphone ringers and laptops; concert audiences are seeing more and more multimedia presentations; orchestras use text messages to stay in touch with audiences; long-distance musical instruction through high speed Internet2 is common; YouTube videos are used for auditions. Many orchestras now present programs with sophisticated, high-definition video images accompanying the music.
>Allison Pierce, Catherine Pierce
>And you want three wishes:
One to fly the heavens
One to swim like fishes
And then one you’re saving for a rainy day
If your lover ever takes her love away
You only want three wishes:
One to fly the heavens
One to swim like fishes
You want never bitter
And all delicious
And a clean conscience
And all it’s blisses
You want one true lover with a thousand kisses
You want soft and gentle and never vicious
And then one you’re saving for a rainy day
If your lover ever takes her love away
>Violeta Parra
>
Gracias a la vida que me ha dado tanto
Me dio dos luceros que, cuando los abro
Perfecto distingo lo negro del blanco
Y en el alto cielo su fondo estrellado
Y en las multitudes el hombre que yo amo
>The Smiths
>
>Matthew Bourne
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>谭元元
>
>Misa Kuranaga, Daniil Simkin
>
Janis Joplin
>Igor Stravinsky
>
A good composer does not imitate; he steals.
Серге́й Васи́льевич Рахма́нинов
カルメン・マキ
今日のライブは、今日のお天気のように
梅雨の合間の一瞬の太陽を見るのに似ていた。
Warren Haynes
Musicians are blessed. We get to do what we love for a living. I’m taking advantage of opportunities that have been given to me that I feel I’d regret if I turned them down. But, you know, I don’t feel like I work as hard as the average housewife.
Tal Wilkenfeld
Vinnie, the way you have managed to communicate your philosophies in life thorough your music is uncanny. I admire the fearlessness with which you approach drumming, and I want to thank you for being so supportive and insightful in helping me overcome my own fears, when you helped me understand that failure is just an apportunity to find out what doesn’t work for you at a given moment. This has given me the chance to grow, and create, in the face of fear.